10 Popular features of Your DSLR Camera You Should Know

10 Popular features of Your DSLR Camera You need to understand

Here are 10 top features of your DSLR camera that you can know. They are going to help improve you as a photographer...

Nikon D5500



1. Shooting Modes #1 (Aperture Priority, Shutter Priority, and Manual modes)

Aperture Priority Mode... This enables you to control / adjust the aperture, even though the camera takes power over determining the shutter speed, dependant on another settings (such as the aperture). Adjusting the aperture causes background elements in your scene to become either magnificent, or blurred. The broader the aperture, greater the backdrop elements can become blurred, as you give attention to much of your subject. Conversely, a narrower aperture enables you to feature more things in your scene, with out them being lost to the blurring that comes about together with the wider apertures. One other thing that aperture adjustment does is always to brighten or darken the overall image: with a wider aperture, you're letting more light in from the lens, and on the camera's sensor, so images will end up bright. Go the opposite way, as well as your images can become darker because you narrow the aperture, as this time you're letting less light attain the sensor, during the exposure.

Shutter Priority Mode... This allows you to control / adjust the velocity from the shutter, while the camera takes power over determining the aperture. Adjusting the shutter speed allows you to freeze motion, if you choose a quicker shutter speed; while, a slower shutter speed will raise the volume of motion blur with your images (an example would be with a subtle blurring of the wings of the kestrel, because it hovers above. You capture this activity using a slower shutter speed). Adjusting the shutter speed may also affect the brightness in the image, similarly as adjusting the aperture. If you choose a faster shutter speed, you're lowering the time the shutter takes place open, which lets less light to the camera's sensor, causing a darkening with the overall image. Conversely, you will see images become brighter because you decrease the shutter speed, when you are causing the camera to support the shutter open for slightly longer, letting in many light on the sensor, because of this.

Manual Mode... Each day control / adjust both shutter speed as well as the aperture. Choose this option if you want total control of determining these two settings, rather than letter the camera's algorithms calculate the best settings. You might be fine achievable; but, however ,, taking manual control allows you absolute control over the artistic process and outcome along with your photography.
2. ISO

This selection is pronounced "EYE-so" - unless you wish to wind-up nerdy-types who get yourself a bit manic over such mispronunciations, in that case, handle it as an acronym, refer to it as "I.S.O.", then enjoy their fit of apoplexy. For what this feature does... it helps you to control the camera's light sensitivity, based on a numerical system - the reduced the ISO numbers (e.g. 100, 125, 200, 400), the less sensitive the camera may be to light, typically resulting in darker images (until you use a sufficiently bright light source to make up, such as an external flash unit). The better the ISO numbers (e.g. 800, 1600, 2000, and beyond), the greater sensitive the camera's sensor, with lighter images is the result. BUT, you should know that this light-enhancing wizardry comes at a cost, and that charges are home loan business the general company's image, because of bumping up the ISO setting, particularly higher than the 1600 level.

Camera technologies are improving constantly, and every generation of camera gets slightly better at processing images with slightly higher ISO settings. Occasionally, it could be safer to sacrifice overall image quality, to acheive a "once in a lifetime shot" (I am not sure that many hated the relatively poor of images through the first moon landings, did they?). However, generally speaking, if you are looking for quality, it's often best to select the lower ISO values - specifically, the lowest "native" ISO setting you got it enables you to select. The reason by this is, some digital cameras will assist you to set the digital camera into "Extended ISO" mode, which uncovers additional ISO settings. For example, for the Panasonic GH4, the Extended ISO feature enables you to drop down with the idea to 80 or 100. Let down the Extended ISO feature and, no matter the lowest value the truth is, will be the camera's true lowest "native" ISO setting. On the Panasonic GH4, such a thing happens to be ISO 200. That's precisely how this camera was created and also the engineers felt this camera worked at its most optimum levels using a minimum native ISO setting of 200. Some cameras have 100 for their native setting; others, like the Panasonic FZ1000, begin at 125.

3. Shooting Modes #2 (Single Point vs. Spectrum)

This concerns how a autofocus system works. You may have the experience of switching on a DSLR camera and, by visiting focus the digital camera, so that you can have a test shot, a lot of different indicators flash upon the LCD or Electronic Viewfinder (EVF). These indicators would be the different points with the spectrum that have been activated and also the camera calculates that certain areas are the type that you may want in focus, and these are normally represented by red or green boxes over various parts of the picture. What typically works better (by that, I mean, is a bit more reliable and less annoying), is usually to get into your camera's menu system, turn off the spectrum focusing option, and switch your camera in order that it focuses just using one point (typically in the heart of the frame - although, you are able to adjust this, such as placing the one focusing point on the point where a key subject is or come in your image, so that you get that subject in focus).

4. Back Focus

It seems that a lot of DSLR cameras are set up by their manufacturers in order that the shutter button handles both the focusing part Along with the exposure portion of going for a photo. This is fine, for some time, and you will get pretty skilled at subtly pressing the shutter button midway, to concentrate on your target subject, before you apply a little more pressure on the same button, to accept the photo. However, there could be a time when this system winds up costing you valuable photo opportunities. For instance, when you are performing light painting photography, you will be in relative darkness, taking time to setup you guessed it-your camera and focusing on the ideal part of the picture in places you want tac-sharp clarity. Then comes the second when you'll press the shutter button, to begin the long exposure, to be able to walk out of in front of the camera, to wave your torch around, to capture the astonishing movements of light. However, just like put forth press the shutter button, you don't place the correct quantity of pressure from the button, as well as the camera treats it like you've requested a change of focus, and also the autofocus system starts, using camera from the perfectly adjusted focus point. On the more-sophisticated DSLRs, it will save you yourself these kinds of agro, by decoupling the autofocus feature from the shutter button, and assigning the autofocus to 1 in the other option buttons. The reason why this technique is termed "Back Focusing" is because the button that's usually selected for the job of focusing, is commonly for the back of the camera, in close-enough proximity towards the shutter button, to help you easily engage the newly assigned autofocus button using your thumb, while your forefinger continues to be trigger finger to engage the shutter button. It does take a little becoming familiar with, however it does enhance your workflow and exactly how in which you operate you guessed it-your camera.

5. Exposure Compensation

You may not make use of this feature all the time, but you'll find certainly times when you need to use the Exposure Compensation setting, to help help the overall quality of your image. The Exposure Compensation settings are measured in values, with zero at the center, then you either go to the PLUS values, to brighten the image, or in to the MINUS values, to darken the look. Why could you want to do this, when you have already adjusted the brightness with either the aperture, shutter speed, and/or ISO settings? The problem is, with modern DSLR cameras, the algorithms they normally use often bring about overcompensation of sunshine quality using the resulting image. If you're photographing in dark conditions, like at night or perhaps the evening (when you're getting those darker blues, as an illustration), without using Exposure Compensation, you will calculate that any light source, like street lights, lanterns, etc., is going to be rendered extremely bright, because the DSLR overcompensates to make sure the sunshine are visible in the dark environment. Photography lovers will most likely cope with this by using the Exposure Compensation feature, and dialing on to the MINUS values, typically gonna -1 of Exposure Compensation, as a way to tone down those light sources from the resulting image. Conversely, when in a very bright environment, for example in snow, an Exposure Compensation worth of +1, or perhaps +2, will combat the camera's tendency to overcompensate from the alternative way - what you'll typically find is, without adjusting the Exposure Compensation settings, anything that's white in your scene will likely be rendered an incredibly ugly grey color. By adding a price of +1 or +2 of Exposure Compensation, you are able to bring back that brilliant white.

6. Custom White Balance

I understand of some photography lovers who'll typically shoot in Auto White Balance mode, most of the time. However, there are occassions when they won't do that, like in an indoor skating rink, in which the indoor light can render the white of the ice rink a different color as to the you actually see. So, to combat this, they're going to instead choose to dictate on the camera what "white" actually appears to be. This generally involves you going into the White Balance menu system, picking out a custom preset option, then you is going to take a photograph of precisely how you desire the white to stay in your photos. As an example, you'd point the camera with a bank of snow, or perhaps the white of a bridal gown; fill the frame achievable color, and consider the photo - you will likely then treat that as white, and balance other colors within the scene accordingly, before you reshoot with a different custom White Balance, or give it back to one with the preset White Balance modes, including AWB (Auto White Balance), or even the Cloudy or Sunny settings.

7. Highlight Control (The Blinkies)

Some DSLRs enable you to turn on a highlighting feature that is also known as "The Blinkies" - this is because, when you go to please take a photo and enjoy the camera's settings such that it will bring about part or every one of the image being washed out or lost in brightness, the Vast screen will "blink" at the areas that can become overexposed - this can be something wouldn't want if, say, you had been photographing a bride on her big day... should you overexpose wedding ceremony dress, you may well lose any subtle detail, and you more than likely cannot recover the detail in post-production (e.g. Lightroom), for the reason that software won't have any data for anyone overexposed aspects of the look. So, Highlight Control can be a good warning indicator to own fired up.

8. Metering Modes

Your DSLR will most likely let you switch to 1 of 3 different Metering Modes, depending on whatever you mean to photograph. There's:

Evaluative Metering (also called Multiple metering)... which has got the camera to determine the best choice exposure by determining the degree of brightness in the entire frame. This really is normally the one you will need to use, most of the time.

Center Weighted Metering... this process is employed to focus on the niche in the center of the frame, to be able to measure the whole screen evenly.

Spot Metering... this can be going to get the digital camera to meter within one area in the frame.
In a few instances, for example music concert settings, if you select Evaluative Metering, you may encounter problems for the reason that light typically changes every couple of seconds - either different colors, or sometimes the lighting will shine for the artist, in other cases the lighting will shine elsewhere, leaving the artist's face in more darkness; sometimes the lighting will shine on one band member and not another... and all of these light variations gives you guessed it-your camera an incredibly hard job when trying to calculate how to look at the light to help you build a great image. When you go to photograph music concerts, Spot Metering is usually the choice you need to go with, because you're going to be individuals musician's face - that's who you've come to see, would you like to inform you within your photograph who the artist is, which means capturing them inside the most beneficial light, by using the best fitting Metering Mode - Spot Metering, in this case.

9. External Flash Control (From the Camera)

A number of the newer DSLRs, typically in the high price range, enable you to operate the functions of the compatible external flash unit, starting from the menu system of the camera. This is the really great feature, especially if you've got multiple flash units create in all places, or else you set your single flash unit in the perfect, but awkward-to-reach spot, where it's hard to view the LCD display and buttons for the flash, as a way to adjust the settings. As opposed to rediscovering the reassurance of each individual flash unit inside them for hours to fiddle about with all the settings, that will be troublesome should they be in the typically high-up, awkward position, it is possible to turn your flash unit(s) on or off, raise or lower the ability setting, or change how the flash responds, all from the menu system of the DSLR. The two Panasonic FZ1000 and GH4 cameras have this wireless feature, but you need their compatible wireless external flash units to be able to employ this - but, it is really worth the money.

10. The Beep

If you need to be really unpopular, get into any quiet setting, and initiate capturing pictures with your camera's system of beeps fully audible. Don't do this; it can be a really irritating and off-putting sound. It's not necessary to have the camera audibly inform you in the event it has something targeted featuring its Autofocus system, so it will be perfect for everyone, if you realise out where the sound controls can be obtained from your camera's menu system, and switch them back (or, at the minimum, low, if there's this type of volume control option on your own camera).

So, those are ten features of your DSLR camera that will help you to improve being a photographer.

Nikon D5500